https://lowepost.com/courses/baselight/colorgrading/masterclass-in-color-grading-with-john-daro-r41/
John Daro is a world-renowned senior colorist working at Warner Bros in Los Angeles, and in this masterclass you are invited into his color suite. John has color graded feature films and tv-series for all the major studios in Hollywood and will teach you techniques and strategies that will help you become a better colorist.
Douglas Delaney is a world-renowned senior colorist working at Technicolor in Los Angeles. He has crafted images for many top directors and worked on blockbusters and dramas such as Captain Marvel, The Equalizer, Jumanji, The Loudest Voice, and the The Hot Zone.
Lowepost - Masterclass in Color Grading with Chris Jacobson
https://lowepost.com/courses/color-grading/color-grading-masterclasses/masterclass-in-color-grading-with-chris-jacobson-r46/
In this masterclass in color grading, Hollywood colorist Chris Jacobson invites you into his color suite to show you every detail about his color work with the popular tv-show SUITS. Chris will take you through the full technical process in DaVinci Resolve from setting up the project to final delivery, including building the node tree, creating the look and shaping the final images.
Welcome to the number 1 class about color grading in DaVinci Resolve 18!
Are you using DaVinci Resolve for editing your videos, but are you not sure what to do on the color grading page? Well, you have come to the right place!
Whether you are a professional or if you are just editing your travel videos, color grading can make or break your work! In this class, I’m going to teach you how to use this node-based color grading software in an easy way!
Whether you film a video, you always want to give it a more cinematic filmy look with different color combination. Most of us are used to use filters. Well that's what we're gonna change here.
https://classes.colorgradingcentral.com/courses/color-grading-academy-for-color-finale
Chances are you're either a filmmaker or an editor and you handle all of you're own color grading inside of Final Cut Pro X (the buck stops with you). But you might be feeling frustrated when you're not getting the results that you're looking for. You may feel overwhelmed with the tools in Color Finale or you may even watch a film or project and say to yourself, "Why can't I grade like that?"
English | Video: 1080p | Project files
https://classes.colorgradingcentral.com/courses/color-grading-academy-for-color-finale
Chances are you're either a filmmaker or an editor and you handle all of you're own color grading inside of Final Cut Pro X (the buck stops with you). But you might be feeling frustrated when you're not getting the results that you're looking for. You may feel overwhelmed with the tools in Color Finale or you may even watch a film or project and say to yourself, "Why can't I grade like that?"
Chances are you're either a filmmaker or an editor and you handle all of you're own color grading inside of Premiere (the buck stops with you). But you might be feeling frustrated when you're not getting the results that you're looking for. You may feel overwhelmed with the Lumetri Color panel or you may even watch a film or project and say to yourself, "Why can't I grade like that?"
Well I know how you feel and I've been there. In fact I remember the day years ago that my boss told me my grading was either "too extreme" or "looked muddy." He then assigned the project to somebody else! This was a major blow to my creative ego and to say it made me feel inadequate is an understatement.
Well the good news is color grading is my obsession and so I didn't want to give up. Through years of practice and study I was able to discover the groundbreaking techniques that top colorists from around the world use. Techniques that I used when grading commercials for big brands like Facebook and on films with theatrical releases.